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"We’re going to be presented with moments where we need to step back, and Daveed and I were always scanning to make sure we were catching as many of those moments as possible - like, 'Oh, this conversation isn’t for us.'" "They were asking questions that I just wouldn’t necessarily think to ask," he said. Diggs and Casal also recruited Bay Area friends to share their lived experiences with the predominantly female writing staff and cast, a process Casal, who also serves as showrunner and directed the season finale, described as humbling.

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Greenlighted during the pandemic and developed by a writers room in Vancouver, where Diggs was filming his TNT sci-fi series "Snowpiercer," "Blindspotting" was written by Diggs, Casal and screenwriters Priscila García-Jacquier, Alanna Brown, "Jinn" filmmaker Nijla Mu'min and Benjamin Earl Turner, who makes his acting debut on the show. Transferring the seriocomic but socially conscious tone and hometown pride of the film into a half-hour format, the series finds a new alchemy of its own thanks to Diggs' and Casal's atypical-in-Hollywood choice to shift away from their own characters. They know that this system is trying to break them, and it’s really their goal to try to beat that and make it work."

"What was really important to me, Diggs and Rafael was to show this love between Miles and Ashley and show how strong that is, and how they’ll do anything to keep their family together. Just to get through to say you love your relative or to tell them you’re thinking about them or to show them some love is so hard to do," said Cephas Jones. "It’s important to show many sides of what a woman can be because in the industry, it’s easy to make a woman just one note, and I didn’t want that for her."Įxpanding a brief but potent supporting turn in the film into a commanding starring role, Cephas Jones, who first starred with Diggs in "Hamilton," steps into a producing role for the first time as "Blindspotting" shifts its focus to the women, families and community dealing with the ripple effects of mass incarceration. "Even though she’s going through this thing and it’s very hard for her, I still wanted people to see her joy and her anger, everything," said Cephas Jones, speaking by phone from New York.

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Here, fourth-wall breaking verse gives voice to emotions Ashley can't bring herself to speak, whether she's waiting in vain for a visitation, unleashing her frustrations at work or agonizing over how to explain to her son, Sean (Atticus Woodward), where his father is. In this, "Blindspotting" leans into the heightened flourishes of the film, directed by Carlos López Estrada and starring Diggs and Casal. Enough awareness can sometimes beget action." And oftentimes awareness is as far as we can get with a piece of art, but it’s not a small thing. "Art is useful in a way if you can make it entertaining and also have it point at a thing it allows us to see the thing. "It worked so well, but it worked so well because we incarcerate more people than anywhere in the world," Diggs said of the dancers, first introduced in prison blues.

"Blindspotting," which premiered Sunday, comes with a touch of magical realism, in the form of a Greek chorus of dancers, led by choreographers Lil Buck and Jon Boogz, who appear throughout the series.

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Then someone starts bumping Mac Dre, launching the neighborhood into an impromptu dance-along, and when the opening line drops, even Ashley is swept up in an energy she didn't realize she missed:īut East Bay-born collaborators Diggs and Casal, with their shared backgrounds in music, theater and spoken word, see the Bay Area as a place where lyricism and metaphor are baked into the textures of their everyday world. Picking up after the events of the film, with Miles newly locked up, the series finds Ashley and her young son reluctantly moving in with his mother and half-sister, curtailing Ashley's dreams of upward mobility and magnifying the dislocation she feels: Facing the unknown without her partner for the first time since their youth has Ashley feeling like a stranger in her own hometown. It's golden hour and cars are swinging rapturous donuts in a West Oakland intersection as the first episode of Starz's "Blindspotting" spinoff series, adapted from Daveed Diggs' and Rafael Casal's 2018 indie dramedy of the same name, follows its new protagonist into uncertain terrain: not the conflicted Collin (Diggs) or his hotheaded best friend Miles (Casal), but Ashley (Jasmine Cephas Jones), Miles' longtime girlfriend, who must forge ahead and figure things out on her own. Emmy- and Grammy-winning performer Jasmine Cephas Jones, photographed in New York City, reprises her "Blindspotting" role in the film-to-series spinoff.